Deutschland 83

Last night I watched the last programme in the Deutschland 83 series – a gripping German spy thriller. Rich in detail and intrigue I can hardly wait for the next series. Set in the Cold War era Deutschland 83 opens with Lenora (Maria Schrader) a seasoned handler of East German spies in her Bonn office as she watches Ronald Regan on television. Lenora is one of the many highlights of Deutschland 83. A strong, powerful woman who dresses impeccably and don’t get me started on her green telephones.

 

 

The main character in Deutschland 83 is her nephew Martin Rauch (Jonas Nay), a 24 year old East German military officer. Lenora recruits Rauch to work undercover in the West as an aide-de-camp for West German General Wolfgang Edel (Ulrich Noethen). There’s a culture shock for Rauch when he wakes up in the West after drinking a cup of tea laced with sedatives. The viewer sympathises with Rauch as we follow him through the series.

 

Jonas Nay as Martin in Martin Deutschland 83.

 

Deutschland 83 was created by Anna and Joerg Winger and written by Anna Winger. It’s subtitled and it’s brilliant.

Here’s a link to an interview with Anna Winger. 

http://www.sundance.tv/series/deutschland-83/blog/2015/07/interview-with-anna-winger-creator-writer-of-deutschland-83

And finally the soundtrack – love it!!!

 

 

 

Images

smoke and mirrors – a deustchland 83 blog — mariberlyn: Lenora Rauch (Marie Schrader) in… (n.d.). Retrieved from https://rauch-nicht.tumblr.com/post/133489865856/mariberlyn-lenora-rauch-marie-schrader-in

Deutschland 83: ‘A lot of people were happy in East Germany’ | Television & radio | The Guardian. (n.d.). Retrieved from https://www.theguardian.com/tv-and-radio/2016/jan/03/channel-4-cold-war-drama-deutschland-83#img-1

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Katherine Mansfield’s ‘Life of Ma Parker’

Katherine Mansfield Beauchamp was born in Wellington, New Zealand on 14 October 1888. At school one of her teachers described her as ‘a surly sort of girl’ who was ‘imaginative to the point of untruth’.[1]

Mansfield left New Zealand aged 19 to write in England.

 

 

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Mansfield is described as having ‘revolutionised the 20th Century English short story.

‘Her best work shakes itself free of plots and endings and gives the story, for the first time, the expansiveness of the interior life, the poetry of feeling, the blurred edges of personality.’ [2]

She died at the age of 34 after spending her last five years with tuberculosis.

‘Life of Ma Parker’ (1921) considers themes of death, loss, social dislocation, class barriers, the role of the female and poverty.

The story considers a few hours in the life of an older woman who works as a cleaner for a gentleman living on his own. Ma Parker has suffered a terrible loss – the death of her beloved grandson Lennie, and as her thoughts turn to Lennie the enormity of her own tragic life unfolds through a series of flashbacks and Ma Parker is overcome.

 

 

 

 

Mansfield establishes character and class division in the first few paragraphs. She does this in two ways. Firstly, the clumsy way the literary gentleman enquires after Lennie’s funeral, and while the reader might see this as an awkward social interaction Mansfield clarifies the literary gentleman’s character through his thoughts:

‘You simply dirty everything you’ve got, get a hag in once a week to clean up, and the thing’s done.’

And further when he alludes to the disappearance of a teaspoon of cocoa:

‘Very strange. I could have sworn I left a teaspoonful of cocoa in the tin… You’ll always tell me when you throw things away – won’t you, Mrs Parker?’

Ma Parker’s character is developed by her thoughts and humble approach to the literary gentleman:

‘the floor was littered with toast crusts, envelopes, cigarette ends. But Ma Parker bore him no grudge. She pitied the poor young gentleman for having no one to look after him.’

Mansfield uses metaphor and simile in her writing:

‘sad-looking sky, and whenever there were clouds they looked very worn, old clouds, frayed at the edges, with holes in them, or dark stains like tea.’

‘There was a great lump of something bubbling in his chest that he couldn’t get rid of… his eyes bulged, his hands waved, and the great lump bubbled as a potato knocks in a saucepan.’

Towards the end of ‘Life of Ma Parker’ Mansfield describes what Ma Parker sees on the street:

‘The men walked like scissors; the women trod like cats’

While the story is focussed on Ma Parker it is when Mansfield describes (with incredible insight), the men and women in the street, that the context is broadened and the rest of society is drawn into the story.

Here’s a link to the short story –

http://digital.library.upenn.edu/women/mansfield/garden/parker.html

 

 

 

[1] Mansfield, Katherine – Biography – Te Ara Encyclopedia of New Zealand. (n.d.). Retrieved from http://www.teara.govt.nz/en/biographies/3m42/mansfield-katherine

[2] NZEDGE Legends — Katherine Mansfield, Writer — Culture. (n.d.). Retrieved from http://www.nzedge.com/legends/katherine-mansfield/

Image – Unknown Mansfield stories found | Stuff.co.nz. (n.d.). Retrieved from http://www.stuff.co.nz/entertainment/books/7332071/Unknown-Mansfield-stories-found

Reading Like a Writer – Lydia Davis

Lydia Davis, an American, was born on 15 July 1947. Davis describes herself as ‘both fiction writer and translator. I’ve been both for as long as I can remember, and they complement each other nicely.’[1]

Davis’ shortest stories can be one or two lines. She writes about the mundane and banal moments of human existence. In 2013 Davis won the Man Booker Prize and Sir Christopher Ricks, chairman of the judges, said:

‘her writings fling their lithe arms wide to embrace many a kind. Just how to categorise them? They have been called stories but could equally be miniatures, anecdotes, essays, jokes, parables, fables, texts, aphorisms or even apophthegms, prayers or simply observations.’[2]

The clip below is titled: Advice to the Young ignore the ‘young’ part as Davis’ advice is for anyone who wants to read like a writer and it’s great!

 

 

 

 

And here she is discussing the blank page. I was intrigued by the idea of collecting blank pages belonging to writers – and Davis’ response – fabulous!

 

 

 

 

On Samuel Beckett…

 

 

 

 

her attention to detail is fascinating…

 

 

 

 

and you see this in her meditation on a small herd of cows.

 

 

 

 

Finally a link that follows the development of one of her short stories.

 

https://www.theatlantic.com/magazine/archive/2014/07/lydia-daviss-very-short-stories/372286/

 

 

 

[1] Translator Profile: Lydia Davis – Asymptote Blog. (n.d.). Retrieved from http://www.asymptotejournal.com/blog/2016/08/24/translator-profile-lydia-davis/

[2] Lydia Davis wins the Man Booker International Prize 2013 | The Man Booker Prizes. (n.d.). Retrieved from http://themanbookerprize.com/news/2013/05/22/lydia-davis-wins-man-booker-international-prize-2013